At the Muse and the Marketplace conference a few days ago, someone said American publishers were looking for stories not filtered through the American lens. I almost laughed out loud. Well said, but it was a false statement. I wasn’t…
As an American who’s written a novel about an American girl caught up in political turmoil in Honduras that includes Honduran characters, I’m particularly concerned about controversies like the one blowing up on the Twittersphere over the YA book, A…
(Note: This rant was originally inspired [or should I say, rekindled] by this Grub Street blog post by Suzahn Ebrahimian.) It was frustrating when I first got into more “serious” fiction writing, for I was a good little student. I…
My Novel Incubator instructors loved to tell us to kill our characters. Most of us came into class with drafts bloated with characters who served no purpose, so it was sound advice. During revision, I created a giant diagram of all…
The pace of change emanating from Washington, D.C., has many of us reaching for books—whether to escape, learn, resist or a little of each–Dead Darlings is here to help.
Writing marginalized content in a mainstream world is balls. Aside from the extra pitfalls we as such authors have to look out for, aside from the extra attention and reflection and detail such writing demands, we also hit a nerve-wracking…